Drawing Life

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6 February 2013, 13:57

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Towards the end of 2012 I was coming to the end of an exciting yet long running type design project and I was beginning to feel a wee bit twitchy. At it’s heart, the craft of typeface design is expressive, exciting and evolutionary but it is also meticulous and precise. Having studied fine art at Foundation level before jumping ship into the world of graphic and typeface design, I had a strong desire to revisit my old art school stomping ground at Colchester Institute and to see whether my hand was still capable of detached expression and wandering scribbles. Now like a school boy eager to have ones pictures placed on the fridge I present my humble efforts created over the course of a few life drawing sessions. I hope that they may be of some interest. Enjoy!

Ink | 3 minute pose

Charcoal | 20 minute pose

Charcoal | 10 minute pose

Black Ink and Soft Pastels | 30 minute pose

Black Ink and Soft Pastels | 30 minute pose

Red Ink, Marker Pen & Soft Pastels | 10 minute movement pose

 

 

ITV Rebrand goes live

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31 January 2013, 11:53

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Leading type design studio, Fontsmith, has confirmed its role as part of the ITV rebrand team. Fontsmith designed ITV Reem, the new bespoke corporate typeface, which is to be used throughout the network.

The new branding will bring much greater consistency to everything ITV does, all rooted in the positioning of a media brand at the heart of popular culture.

After being invited by ITV Creative and Rudd Studio, who were in the throws of conceptualising and invigorating the new ITV branding and logo, Fontsmith crafted, formulated and added the necessaries to bring Rudd’s logo to perfection.

 

 

This quickly lead to a brand wide supporting typeface. The new typeface, ITV Reem, has been designed to evoke this brand essence, and to work across a broad range of channels and content, from serious news programming to light entertainment. This will include all five ITV channels as well as online and on-demand products including ITV Player.

On collaborating, Matthew Rudd of Rudd Studio says “We’ve worked with Jason and Fontsmith for over 10 years and it’s always been great. Every time they make a real effort to get under the skin of a brief and produce something which supports the big idea. The ITV Reem typeface is of course beautifully executed and a pleasure for designers to work with.”


 

 

 

Its well reem!

Fontsmith’s challenge with ITV Reem was to develop a font that can work on its own to develop a coherent identity across all content and stand out without the use of the ITV logo.

To achieve this, the design approach was very specific. Fontsmith Creative Director Jason Smith explains: “It’s quite a detailed, wide design, influenced heavily by what we explored with the new ITV logo, which has a modern script feel and is quite wide. The typeface is based on that sort of proportion, almost with a calligraphic feel in the sense that when you take a pen off the page after writing, you get a rounded end terminal.”

Named after the expression “It’s well reem!” made famous by ITV show “The Only Way is Essex”, ITV Reem has been created as a four weight sans serif. The four weights are – Light/Light Italic, Regular/Italic, Medium/Italic and Bold/Bold Italic.

 

 

 

 

 


 

 

 

 

 

 

 

Station-to-station

Fontsmith has built a reputation of being the go-to type design agency for the TV and broadcast industry. With commissions from E4, Channel 4, More 4, Film 4, ITV, BBC1, Kanal 5, Living TV, Sky 1, GOLD, Virgin Media, Sky News, and many more…

What makes Fontsmith so successful in this sector is the ability to understand exactly how a typeface behaves on-air and off-air, providing personality to its parent brand. As well as awakening the attributes of the brand, the font needs to back up on-air and off-air identities.

Jason tells us “A well-designed font becomes part of who you are. It tells your customers about you. The more they see it, the more they trust you. The more they see it, the more they remember you. A font can – and should – be as much a part of a brand as a colour, a sound or a celebrity’s face. Here at Fontsmith we have many years experience in creating typefaces that work with the most visible, best-known TV brands in Britain.”


 

 

 

 

 


 


 

EMCAS

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30 January 2013, 15:01

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Fontsmith have helped The Partners to create a hand painted font for EMCAS.

Paul Twivy, strategic consultant to The Partners, says, ‘We wanted to provide them with a typeface that echoed their down-to-earth, human approach. In contrast to the slick and corporate fonts used by competitors, we wanted a typeface that could communicate with passion and personality.’

Fontsmith developed the typestyle into a workable typeface to ensure continuity and an ease of application throughout the brand.

More info can be found over on Design Week & The Drum.

FS Letter Archive №16

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23 January 2013, 15:41

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Logotype

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21 January 2013, 14:17

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Honoured to have our work with the Northern Irish Tourist Board featured in Michael Evamy’s recent book Logotype. Within it Jason talks about logos, their character and how we as type designers search for that level of distinction within letterforms.
Thank you Michael!